Thursday, June 04, 2020


I keep coming back to what I love; the music that moves my heart and can make me cry at the drop of a hat (don't reference the above picture, yet). Sure, at a given moment, most any stripe of music can move my eyes to water. But, for whatever reason, a hard swinging, deep grooving rhythm section (such as Oscar Peterson or Count Basie) can shut me down. It reaches into my heart, deeply. And if I am to follow my heart, I need to pay attention to just these things. And although it is only in the last decade or so that I've had even a remote understanding of head space vs. heart space (or knew of that heart space, much at all), it has always been there. I have always been who I am. When I was about 11 or 12, I stumbled onto a AM radio station, on a Sunday evening, with a signal that barely came in. But it grabbed me immediately. And every Sunday night thereafter, lying in bed, I would tune in, struggling to find the sweet spot on the dial (which would always, at some point, become a moving target). Sometimes the signal would improve, and I was delighted. Sometimes I would lose the signal altogether, and I would cry with sadness. It was my own private personal space. Thing was, I didn't know what the music was actually called. Eventually I was able to describe it as "old time jazz". But that still didn't really help me put a finger on it in a record store. Then, on one good signal night, I heard the word "Dixieland". It was all I needed. The next day, I walked (maybe I ran) to the neighborhood 7/11, which, believe it or not, had a record display. And I saw the word. Dukes of Dixieland. I bought my first record (now reference the above photo. I still have the record). I got a bit lucky, as this was a more swinging Dixieland approach, with a upright bass playing mostly in 4. So the itch was scratched. which, of course, only causes more itching. The chain reaction that connects that "now" to the current (and every other) now, weaving and creating the tapestry that it does, was underway. This discovery, at 11 (or so) years old, was one of my most important. Not because I bought a Dixieland record. But because a clear path was cut right in front of me to (unknowingly) begin the practice (or maybe better, discipline) of following my heart. And now I know. And now understand (I use that word cautiously these days) that in order to be myself, and to truly speak with my own voice, I am to bring all things into and through my heart. 
The young (around 30 y/o, I think) jazz saxophone phenom Chad LB, in an interview I read recently, expresses, in relatively simple language, what I can now recognize as mature wisdom. "Really focus on what you love about music... Let that naturally help you approach music. The most genuine musicians play the music they like."  For all that I might want to expand on the verbiage and nuance of expressing this, he actually nails it. So I'll shut up now.

1 Comments:

Blogger Greg Nichols said...

Wonderful story. I grew up similarly, listening to old records and recorded stories. I’ve had the fortune to replace many of them with new records. I cherish many of them.

Friday, June 05, 2020  

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