I look for (but not directly toward, else they would seldom happen) those moments which bring clarity. They often come early in the (my) morning, particularly when walking or practicing, often coming in what I call "balls of yarn"; a conceptual understanding to unwind (usually at a later time). Some of the entries in this blog are the result of unwinding yarn balls. The following highlighted sentences are kind of an amalgam of the two. They all have to do with "managing the space", and are things I ponder on often (or pretty much continually). This all has direct application to playing music, for me, but can also be presented and understood in general terms, which is what I'll attempt to do here:
In order to see something clearly, pull away from it.
This is my wide angle lens thing, and something that has become much clearer in practicing, recently. I'm a conceptual guy. Pull back to see the bigger (or better, the entire) picture and I can much more easily access the individual moving parts. Focus on a point of detail (apart from its context) and I'll find myself lost in the maze.
To see the entire picture is to see in a different way.
I am only beginning to come to encounter and absorb some of the science behind this (which is adding some understanding to what I've already been uncovering), so I won't even try to go there. Suffice to say, we can see beyond what our eyes can find.
Remember that context and associations provide meaning.
And meaning to me is everything. What something is can only be understood (for me, at least) in terms of what it means. If this seems nonsensical to you, then you are blessed with not having a single wide angle lens through which to see everything. And if so (that it is nonsensical to you), then the way that you see things is also nonsensical to me, and I am blessed as well.
Seeing something in isolation has little meaning to me.
Same thing, from the opposite angle. Seeing things from multiple angles is important. And this, I would (want to) believe, would (or should) be true of everyone. In fact, this strikes at the heart of the current "political" state of affairs. I'm attempting to create a dedicated blog entry concerning this. It may happen, or else it may just seep tacitly into some other posts (which may have been the case just now, if I hadn't come out and said it).
To see what something is, look closely.
Sometimes you need a microscope to properly see what something is, even if it means you have to borrow someone else's. In my internal process, few things are labeled, though I have come to learn that labels have their own importance (especially when trying to communicate something to someone else). Music theory class in college was a good illustration of this. The class that causes a significant percentage of music majors to drop out of school was, for me, "Oh, THAT'S what you call it" class. That was important.
To see what something means, step back for a larger view.
You'll never begin to understand the interrelationships of the big picture if you never put down the microscope. Distancing yourself from your subject may not mean moving away from the particular thing or idea, rather toward the context or the meaning. Put another way, to have a sense of what to do with something, step back from it.
The preceding has been a glimpse inside my head. Which, by the way, never turns off, though I am getting better at putting it down (or letting go) and staring at it. ;)
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